{"id":2347,"date":"2026-04-14T19:26:22","date_gmt":"2026-04-14T19:26:22","guid":{"rendered":"https:\/\/lilyselavieartgallery.com\/?page_id=2347"},"modified":"2026-04-14T19:26:23","modified_gmt":"2026-04-14T19:26:23","slug":"todd-anderson","status":"publish","type":"page","link":"https:\/\/lilyselavieartgallery.com\/bg\/lsg-spring-exhibition\/todd-anderson\/","title":{"rendered":"Todd Anderson"},"content":{"rendered":"<h2 class=\"wp-block-heading has-text-align-center ext-animate--on\">Todd Anderson<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile ext-animate--on is-style-ext-preset--media-text--brutalism-1--card-1 is-style-ext-preset--media-text--brutalism-1--card-1--1\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"889\" src=\"https:\/\/lilyselavieartgallery.com\/wp-content\/uploads\/2026\/04\/28_A2.jpg\" alt=\"\" class=\"wp-image-2349 size-full\" srcset=\"https:\/\/lilyselavieartgallery.com\/wp-content\/uploads\/2026\/04\/28_A2.jpg 600w, https:\/\/lilyselavieartgallery.com\/wp-content\/uploads\/2026\/04\/28_A2-202x300.jpg 202w, https:\/\/lilyselavieartgallery.com\/wp-content\/uploads\/2026\/04\/28_A2-8x12.jpg 8w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center\"><br><em>After graduating from Ringling College of Art, Todd Anderson eventually relocated to Berlin where he has been active for many years as artist, graphic designer and illustrator. His recent work depicts the human figure emerging from the spontaneous texture of vine charcoal, sometimes intensified by the addition of solvents. <\/em><\/p>\n\n\n\n<p class=\"has-text-align-center ext-animate--on\"><em>These studies explore the moment where the figure begins to surface from chaos, allowing the material itself to shape the composition. Rather than treating charcoal as a purely descriptive medium, it is exploited for its unpredictability and capacity for transformation. <\/em><\/p>\n\n\n\n<p class=\"has-text-align-center ext-animate--on\"><em>Faces and bodies are not rendered as fixed subjects but as unstable forms shaped through a process of subtraction and erasure. The resulting images are meant to depict a state of becoming in which flux ultimately gives way to form.<\/em><\/p>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-center ext-animate--on\"><em>Flux and form: Torso A2<\/em> Charcoal on paper<\/h6>\n\n\n\n<p class=\"has-text-align-center ext-animate--on\"><\/p>\n<\/div><\/div>\n\n\n\n<ul class=\"wp-block-social-links aligncenter ext-animate--on is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-instagram  ext-animate--on wp-block-social-link\"><a href=\"https:\/\/www.instagram.com\/toddanderson.berlin\/\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12,4.622c2.403,0,2.688,0.009,3.637,0.052c0.877,0.04,1.354,0.187,1.671,0.31c0.42,0.163,0.72,0.358,1.035,0.673 c0.315,0.315,0.51,0.615,0.673,1.035c0.123,0.317,0.27,0.794,0.31,1.671c0.043,0.949,0.052,1.234,0.052,3.637 s-0.009,2.688-0.052,3.637c-0.04,0.877-0.187,1.354-0.31,1.671c-0.163,0.42-0.358,0.72-0.673,1.035 c-0.315,0.315-0.615,0.51-1.035,0.673c-0.317,0.123-0.794,0.27-1.671,0.31c-0.949,0.043-1.233,0.052-3.637,0.052 s-2.688-0.009-3.637-0.052c-0.877-0.04-1.354-0.187-1.671-0.31c-0.42-0.163-0.72-0.358-1.035-0.673 c-0.315-0.315-0.51-0.615-0.673-1.035c-0.123-0.317-0.27-0.794-0.31-1.671C4.631,14.688,4.622,14.403,4.622,12 s0.009-2.688,0.052-3.637c0.04-0.877,0.187-1.354,0.31-1.671c0.163-0.42,0.358-0.72,0.673-1.035 c0.315-0.315,0.615-0.51,1.035-0.673c0.317-0.123,0.794-0.27,1.671-0.31C9.312,4.631,9.597,4.622,12,4.622 M12,3 C9.556,3,9.249,3.01,8.289,3.054C7.331,3.098,6.677,3.25,6.105,3.472C5.513,3.702,5.011,4.01,4.511,4.511 c-0.5,0.5-0.808,1.002-1.038,1.594C3.25,6.677,3.098,7.331,3.054,8.289C3.01,9.249,3,9.556,3,12c0,2.444,0.01,2.751,0.054,3.711 c0.044,0.958,0.196,1.612,0.418,2.185c0.23,0.592,0.538,1.094,1.038,1.594c0.5,0.5,1.002,0.808,1.594,1.038 c0.572,0.222,1.227,0.375,2.185,0.418C9.249,20.99,9.556,21,12,21s2.751-0.01,3.711-0.054c0.958-0.044,1.612-0.196,2.185-0.418 c0.592-0.23,1.094-0.538,1.594-1.038c0.5-0.5,0.808-1.002,1.038-1.594c0.222-0.572,0.375-1.227,0.418-2.185 C20.99,14.751,21,14.444,21,12s-0.01-2.751-0.054-3.711c-0.044-0.958-0.196-1.612-0.418-2.185c-0.23-0.592-0.538-1.094-1.038-1.594 c-0.5-0.5-1.002-0.808-1.594-1.038c-0.572-0.222-1.227-0.375-2.185-0.418C14.751,3.01,14.444,3,12,3L12,3z M12,7.378 c-2.552,0-4.622,2.069-4.622,4.622S9.448,16.622,12,16.622s4.622-2.069,4.622-4.622S14.552,7.378,12,7.378z M12,15 c-1.657,0-3-1.343-3-3s1.343-3,3-3s3,1.343,3,3S13.657,15,12,15z M16.804,6.116c-0.596,0-1.08,0.484-1.08,1.08 s0.484,1.08,1.08,1.08c0.596,0,1.08-0.484,1.08-1.08S17.401,6.116,16.804,6.116z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Instagram<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-mail  ext-animate--on wp-block-social-link\"><a href=\"mailto:in&#102;&#111;&#064;to&#100;&#100;a&#110;d&#101;&#114;s&#111;&#110;&#046;d&#101;\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M19,5H5c-1.1,0-2,.9-2,2v10c0,1.1.9,2,2,2h14c1.1,0,2-.9,2-2V7c0-1.1-.9-2-2-2zm.5,12c0,.3-.2.5-.5.5H5c-.3,0-.5-.2-.5-.5V9.8l7.5,5.6,7.5-5.6V17zm0-9.1L12,13.6,4.5,7.9V7c0-.3.2-.5.5-.5h14c.3,0,.5.2.5.5v.9z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">\u0418\u043c\u0435\u0439\u043b<\/span><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Todd Anderson After graduating from Ringling College of Art, Todd Anderson eventually relocated to Berlin where he has been active for many years as artist, graphic designer and illustrator. His recent work depicts the human figure emerging from the spontaneous texture of vine charcoal, sometimes intensified by the addition of solvents. These studies explore the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":705,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-with-title","meta":{"footnotes":""},"class_list":["post-2347","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/pages\/2347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/comments?post=2347"}],"version-history":[{"count":10,"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/pages\/2347\/revisions"}],"predecessor-version":[{"id":2567,"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/pages\/2347\/revisions\/2567"}],"up":[{"embeddable":true,"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/pages\/705"}],"wp:attachment":[{"href":"https:\/\/lilyselavieartgallery.com\/bg\/wp-json\/wp\/v2\/media?parent=2347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}